ahmedjones:

Karlie Kloss for Vogue Japan June 2013 by Hedi Slimane in A New Tradition

(Source: billidollarbaby)

For women in the 1920´s, freedom in dress reflected their new freedom to take up careers. Only a small percentage of woman pursued such opportunities, but the revolutionary change affected the types of clothes worn by most women.

For examlpe trousers became acceptable attire for almost all activities.

This milestone in the fashion world favored more stylish and comfortable clothing instead of more formal modes of dress.

Make it yourself,¨you can do it¨!

costume for Stop Motion characters, work in progress / vestuario para personajes de animación Stop Motion. 

Koo Bohn Chang for Vogue Korea.

thanks cata devia 

Tags: vogue korea

from the Alexander McQueen Autumn/Winter 2013 presentation

Instructions:
  1. Stabilise: Fuse a 2.5cm / 1” wide strip of suitable weight fusing to each side of the zipper opening (apply to the wrong side of the fabric). Fusing should be slightly shorter that the length of the zipper (including top and bottom tapes).
  2. Marking: If your pattern doesn’t already have the end of the zipper marked or notched, notch or mark the end of the zip. 
  3. Staystitching: The opening of the zipper should be wide enough to expose just the zipper teeth plus a little extra for room around the teeth to prevent any fabric from getting caught. Staystitch each side of the zipper opening 6mm plus the seam allowance (1cm for our patterns) from the raw edge, pivoting 90º at the end of zipper mark/notch. Repeat for both sides. 
  4. Sew the Seam: With rights sides together, sew the seam (1cm seam allowance for our patterns) from the base of the zipper mark/notch, to the end. 
  5. Clipping: Clip into the seam allowances on a diagonal to the zipper base, just to, but not through the staystitching. You may find it easier to cut each seam allowance separately.
  6. Pressing: Press seams open and neaten each edge. Fold and press over the allowance of the zip opening on the staystitching line. 
  7. Stitch the lower edge: Working from the right side of the garment, fold back the top of the work to the start of the centre back seam to expose the ‘triangles’ of the clipped seam allowance, align the metal base of the zipper with the centre seam, (zipper should be facing downwards and right sides together) and position it just past the stay stitching. Pin. 
  8. With a zipper foot attached to your machine. Stitch across zipper tape and triangles, back tacking at either end.
  9. Stitch the zipper sides: Flip zipper up right way round, tucking the zipper tape and triangles to the inside, Align the pressed and folded edge along the zipper tape and pin.
  10. Pinning: Turn back one side of the dress back to expose the seam allowance and zipper tape, re-pin seam allowance to zipper tape only and remove pins from the front. Repeat for other side. 
  11. Sew Sides: Starting from the base of the zip, stitch along the staystitching line. Repeat for other side of zipper. Press with a pressing cloth.

(Source: patternrunway.com)

Editorial: Drama and Ballet. Denisa Dvorakova.

By Jason Schmidt

For Vogue Russia, Feb. 2011.

Ji Hye Park & Sung Hee by Lee Gun-Ho (Noir & Blanc) - Vogue Korea January 2013

Costume Designer : Adrian

(Adrian Adolph Greenberg)

Vestidos de Adrian, talentoso Diseñador de Vestuario Escénico de cientos de películas de los años 30s y 40s. Entre sus diseños se encuentra el de ¨El Mago de Oz¨ y otras películas de la Metro Goldwyn Mayer.

Dresses by Adrian, the amazingly talented Designer who designed hundreds of movies in the early 20th Century, including Dorothy’s dress in the Wizard of Oz and other Metro-Goldwyn-Mayer films of the 1930s and 1940s.



textil panel de abejas. primer intento    |      honeycomb textile. first attempt

textil panel de abejas. primer intento    |      honeycomb textile. first attempt

rock and roll circle skirt for the 50´s ladies 

rock and roll circle skirt for the 50´s ladies 

Circle skirts by Miuccia Prada